“IN THE MANUFACTURE OF MY ART, I USE ANYTHING AND EVERYTHING THAT GETS THE JOB DONE WITHOUT ANY SENTIMENT OR SANCTITY AS TO MEDIUM."
Throughout his four-decade career, New York City-born Stanley Boxer defied the conventions of his era, transitioning from a Color Field painter in the 1960s to a practitioner of process art characterized by dense, textured surfaces. Boxer was known for incorporating unconventional materials such as sand, glitter, and beads into his work, yet he focused more on the final visual impact than on the materials themselves. His art aimed to engage the viewer’s eye with intense optical experiences, striving to create innovative forms rather than making literal statements.
Boxer managed to navigate the varied artistic ideologies of his time while maintaining a unique identity. His diverse body of work, including paintings, sculptures, collages, and prints, was marked by radiant and nuanced surfaces. Art critics like Judith Van Baren noted the “choreography of material” in Boxer’s creations, which combined contemporary influences with his distinct style.
The critical reception of Boxer’s work was mixed, reflecting its complexity and the artist’s ability to blend different elements. Critics found his art both minimalist and expansive, with some describing it as spiritually luminous, while others saw Baroque drama in his use of color and form. Karen Wilkin remarked on the duality in Boxer’s work, noting its “lyrical and brutal” qualities. Despite the varied interpretations, Boxer’s art was seen as both innovative and ahead of its time.