News

Berry Campbell is pleased to open its fall season with a retrospective by renowned Color Field painter, Dan Christensen (1942-2007). Christensen’s relentless experimentation with new tools and materials made him among the most ambitious abstract and gestural artists of his time.  This important exhibition will feature more than twenty paintings from various periods of his forty year career: rare “early spray” paintings from the late 1960s, saturated stained canvases from the 1970s, dizzying spray ovals from the 1980s, pulsating orbs from the 1990s, and rhythmic calligraphic swirls from his last decade.  Several paintings have never been on public view. Berry Campbell will present the retrospective in a sixteen-page catalogue featuring a poem written as a tribute for Christensen by Billy Collins, the former Poet Laureate of the United States and Christensen’s close friend.

Berry Campbell is pleased to announce its expansion at 530 West 24th Street. The gallery is doubling its size with the addition of 2,000 square-feet of ground floor gallery and exhibition space.   Berry Campbell’s growth reflects its established role in Chelsea since its opening in Fall 2013.  Berry Campbell joins its 24th Street neighbors—303 Gallery, Andrea Rosen Gallery, Gagosian, Jack Shainman Gallery, Luhring Augustine, Mary Boone Gallery, Marianne Boesky Gallery, Matthew Marks, Metro Pictures, and Unix Gallery—as vital contributors to the flourishing Chelsea art scene, recently made even more vibrant with the May 2015 opening of the new Whitney Museum.

Berry Campbell is pleased to announce its expansion at 530 West 24th Street. The gallery is doubling its size with the addition of 2,000 square-feet of ground floor gallery and exhibition space.   Berry Campbell’s growth reflects its established role in Chelsea since its opening in Fall 2013.  Berry Campbell joins its 24th Street neighbors—303 Gallery, Andrea Rosen Gallery, Gagosian, Jack Shainman Gallery, Luhring Augustine, Mary Boone Gallery, Marianne Boesky Gallery, Matthew Marks, Metro Pictures, and Unix Gallery—as vital contributors to the flourishing Chelsea art scene, recently made even more vibrant with the May 2015 opening of the new Whitney Museum.

Berry Campbell told ARTnews today that it will expand, filling the entire ground floor of 530 West 24th Street. Currently, the gallery has 1,200 square feet, but, with the new expansion, it will gain 800 more, bringing its total area to 2,000 square feet. Known for showing Abstract Expressionists and postwar artists, Berry Campbell is now part of a larger trend in Chelsea—the rapid expansion of gallery spaces.

Berry Campbell is pleased to present an exhibition of Artists of the East End at Art Southampton presented at Nova’s Ark Project in Bridgehampton, opening on July 9. Berry Campbell represents an important group of Postwar modern and contemporary artists associated with Long Island’s East End, a gathering place for the New York School beginning in the 1940s. Among these are the estates of Dan Christensen, Perle Fine, Balcomb Greene, Gertrude Greene, Raymond Hendler, Charlotte Park, and Syd Solomon. Contemporary East End artists represented are Eric Dever and Susan Vecsey, both will be debuting new work at the fair.

Now ready for it’s fourth season, Art Southampton has already cemented its status as the premier contemporary and modern art fair in the Hamptons. It offers the highest quality of 20th and 21st century masters as well as noteworthy emerging artists....We’ve taken the time to select some of our favourite works on display at the fair.

The artist was a leading abstract painter during his lifetime. He drew from a range of Modernist sources to produce colourful, luminous compositions that featured giant dots, whirling loops and grids. Originally trained in classical, figurative painting, Christensen later sought to transcend stylistic restrictions. He also experimented with a range of different tools and ways of applying paint throughout his career. In highly acclaimed early work he used spray guns to paint over square and looping pieces of tape, and then removed the tape to create swirls and grids of colour with shimmering surface effects. Berry Campbell Gallery represent the artist at Art Southampton.

Art Southampton, directed by Nick Korniloff, who also brings you Art Miami, Art New York and Art Silicon Valley/San Francisco, among others, offers the value and prestige that attracts participation by leading galleries from around the world, making this fair an outstanding international event.

Charlotte Park's important contribution to the Abstract Expressionist movement has been recently acknowledged, and it's about time. Writing in The New York Times, just before Park died in late 2010, Roberta Smith called Park "A natural painter and a gifted colorist." She was overshadowed by the attention given to the work of her husband, James Brooks, even though she painted some of the strongest and most brilliantly colored canvases of her time. (www.berrycampbell.com)

Art Southampton, the premier contemporary and modern art fair in the Hamptons, will hold its fourth edition on the grounds of Nova’s Ark Project in Bridgehampton July 9 through 13. The fair will offer high quality works of art from the 20th and 21st centuries, as well as incorporate design and the decorative arts, a new addition this year.

The Berry Campbell Gallery in New York City’s booth will consist entirely of artists who live or have lived on Long Island including former Hofstra University professor and abstract expressionist Perle Fine.

Nathanson became fascinated by color painting at Bennington College. She arrived at the school in the mid-1970s, when it was at the center of color field abstraction. From Kenneth Noland and Larry Poons, she learned to avoid composing through dark and light tones and to give color an ever-greater role in structuring a painting. Over the last four decades, she has deepened her exploration of color dynamics, seeking to transmit affective realities of seeing. She courts chaos in her method, through employing chance, but she also works methodically—each overlay of color takes a day to dry.  For the viewer, her paintings evoke energies in the body as well as optical experience, and the physical presence of each painting resists immediate assimilation, involving a dynamic, layered search for unity.