VIDEO NOW AVAILABLE: Berry Campbell Gallery Talks: Christine Berry on Syd Solomon, Abstract Expressionist
May 14, 2020 - Berry Campbell
In this video, Christine Berry speaks on Abstract Expressionist, Syd Solomon.Read More >>
May 14, 2020 - Berry Campbell
In this video, Christine Berry speaks on Abstract Expressionist, Syd Solomon.Read More >>
May 11, 2020 - Stacey Stowe for The New York Times
The outdoor exhibition on Long Island featured works installed at properties from Hampton Bays to Montauk, with social isolation as just one theme.
No one was supposed to get too close to each other over the weekend during a drive-by exhibition of works by 52 artists on the South Fork of Long Island — a dose of culture amid the sterile isolation imposed by the pandemic. But some people couldn’t help themselves...
There was spontaneous interaction. The artist Bastienne Schmidt, dressed in a bright blue pea coat and red pants, waved to those who checked out her installation of canvas-wrapped posts set six feet apart at the Bridgehampton home she shares with her husband, the photographer Philippe Cheng. Kathryn McGraw Berry, an architect sampling the tour in a champagne-colored Audi, chatted with Eric Dever, who was checking the wind resistance of his 12 paintings mounted on posts at his 18th-century Water Mill home.
“It’s nice seeing one’s work in the landscape when you’ve been cooped up in the house,” Mr. Dever said. “I grew up in Southern California so I appreciate the drive-through idea.”
May 8, 2020 - Robert Passal Interior Design
"#meansformakers Please join us for raising COVID19 relief funds for @cerfplus by sharing a favorite artist or artisan that inspires you. @arteriorshome will donate funds for each of our posts to @cerfplus who will in turn support the skilled artists of the artisans society. Just post your favorite maker’s work and tag @arteriors home and #meansformakers I am sharing several projects showcasing custom pieces done by some of the incredible artisans we continually work with. The work of each of these artisans truly makes each of our projects shine."
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May 7, 2020 - Berry Campbell
Artist's Choice: Interconnected
May 7 - June 7, 2020
Berry Campbell is pleased to announce Artist’s Choice: Interconnected, an exclusive online exhibition of works from gallery’s inventory chosen by Berry Campbell’s represented contemporary artists. Eric Dever, Judith Godwin, Ken Greenleaf, Jill Nathanson, Ann Purcell, Mike Solomon, Susan Vecsey, James Walsh, Joyce Weinstein, and Frank Wimberley have thoughtfully selected one work from our gallery inventory that they associate with their own creative process and artistic journey. This artist-curated exhibition is an inquiry into the lines of influence and connections within our Berry Campbell artist community. Artist’s Choice: Interconnected launches digitally May 7, 2020.
The choices are sometimes expected, and at other times, surprising. Some artists were inspired by a painting from an artist they had never met, and others paid tribute to old friends or mentors. Judith Godwin recalls good times with her old friend and art dealer, Betty Parsons. James Walsh remembers a painting by Walter Darby Bannard from a 1981 show at Knoedler Gallery. Mike Solomon pays homage to the perseverance of abstract painter and dear friend, Frank Wimberley saying: “The quiet intermingling of his experience, with the purity of painting, gives his abstractions an authenticity and delicacy that is profound to witness.” Ken Greenleaf favorite is Cloistered #5 (1968) by Ida Kohlmeyer, delighting in the pure abstraction. Jill Nathanson picked a color-field forerunner, Dan Christensen. Ann Purcell admitted to being picky but found true inspiration after visiting our Yvonne Thomas show repeatedly. Eric Dever ruminates about Charlotte Park: “Like a favorite poem, novel or even film, a painting can be a touchstone, something one returns to with certain regularity; perhaps a gauge of some kind, beginning with personal happiness on the occasion of discovery and new revelation as our lives unfold.” Joyce Weinstein finds parallels with John Opper. Susan Vecsey loves the “stillness and movement” of Elaine de Kooning’s Six Horses, Blue Wall (1987). No coincidence that Vecsey lives down the road from the Elaine de Kooning house in the Hamptons. Frank Wimberley recalls of Herman Cherry: “He was one of the East End artists who wished to me to succeed.”
ABOUT BERRY CAMPBELL
Christine Berry and Martha Campbell have many parallels in their backgrounds and interests. Both studied art history in college, began their careers in the museum world, and later worked together at a major gallery in midtown Manhattan. Most importantly, however, Berry and Campbell share a curatorial vision.
Both art dealers developed a strong emphasis on research and networking with artists and scholars during their art world years. They decided to work together, opening Berry Campbell Gallery in 2013 in the heart of New York's Chelsea art district, at 530 West 24th Street on the ground floor. In 2015, the gallery expanded, doubling its size with an additional 2,000 square feet of exhibition space.
Highlighting a selection of postwar and contemporary artists, the gallery fulfills an important gap in the art world, revealing a depth within American modernism that is just beginning to be understood, encompassing the many artists who were left behind due to race, gender, or geography-beyond such legendary figures as Pollock and de Kooning. Since its inception, the gallery has been especially instrumental in giving women artists long overdue consideration, an effort that museums have only just begun to take up, such as in the 2016 traveling exhibition, Women of Abstract Expressionism, curated by University of Denver professor Gwen F. Chanzit. This show featured work by Perle Fine and Judith Godwin, both represented by Berry Campbell, along with that of Helen Frankenthaler, Lee Krasner, and Joan Mitchell. In 2019, Berry Campbell's exhibition, Yvonne Thomas: Windows and Variations (Paintings 1963 - 1965) was reviewed by Roberta Smith for the New York Times, in which Smith wrote that Thomas, "... kept her hand in, adding a fresh directness of touch, and the results give her a place in the still-emerging saga of postwar American abstraction.”
In addition to Perle Fine and Judith Godwin, artists whose work is represented by the gallery include Edward Avedisian, Walter Darby Bannard, Stanley Boxer, Dan Christensen, Eric Dever, John Goodyear, Ken Greenleaf, Raymond Hendler, Ida Kohlmeyer, Jill Nathanson, John Opper, Stephen Pace, Charlotte Park, William Perehudoff, Ann Purcell, Mike Solomon, Syd Solomon, Albert Stadler, Yvonne Thomas, Susan Vecsey, James Walsh, Joyce Weinstein, Frank Wimberley, Larry Zox, and Edward Zutrau. The gallery has helped promote many of these artists' careers in museum shows including that of Bannard at the Institute of Contemporary Art, Miami (2018-19); Syd Solomon, in a traveling museum show which culminates at the John and Mable Ringling Museum in Sarasota and has been extended through 2021; Stephen Pace at The McCutchan Art Center/Pace Galleries at the University of Southern Indiana (2018) and at the Provincetown Art Association and Museum (2019); and Vecsey and Mike Solomon at the Greenville County Museum of Art, South Carolina (2017 and 2019, respectively); and Eric Dever at the Suffolk Community College, Riverhead, New York (2020). In an April 3, 2020 New York Times review of Berry Campbell's exhibition of Ida Kohlmeyer's Cloistered paintings, Roberta Smith stated: “These paintings stunningly sum up a moment when Minimalism was giving way to or being complicated by something more emotionally challenging and implicitly feminine and feminist. They could hang in any museum.”
Collaboration is an important aspect of the gallery. With the widened inquiries and understandings that have resulted from their ongoing discussions about the art world canon, the dealers feel a continual sense of excitement in the discoveries of artists and research still to be made.
Berry Campbell is located in the heart of the Chelsea Arts District at 530 West 24th Street, Ground Floor, New York, NY 10011. For further information, contact us at 212.924.2178, email@example.com or www.berrycampbell.com.
May 4, 2020 - Drive-By-Art
Organized by Warren Neidich
DATES: May 9th and 10th, 2020 (Rain dates May 16th and 17th)
TIMES: 12 noon until 5 pm
LOCATION: South Fork, Long Island including East Hampton, Bridgehampton, Wainscott, Sagaponack, Sag Harbor, North Haven and South Hampton
Drive-by baby showers and birthdays have become the norm for celebrating special events during this time of social distancing and the COVID-19 pandemic. Like many others, artists and cultural producers are sequestered in their homes and studios dealing with depressed income, isolation and the fears that precarious futures produce. Enter Drive-By-Art, an outdoor public art exhibition that is experienced from the safety and intimacy of one’s own automobile.
Not only does Drive-By-Art create a sense of needed solidarity within the artistic and cultural communities now entrenched in the South Fork of Long Island, but it also offers an experience that is otherwise severely limited by our current social distancing practices: interacting with tangible objects in the real world.
Here is how it works!
Taking advantage of the rich, artistic heritage of the South Fork of Long Island, artists currently living and working there will install and display artworks related to this moment of social distancing on their properties, near roads or on highways. For instance, classic and experimental sculptures made inside may be installed in driveways or as lawn objects, tree trunks can be sites of interventions as paintings, rooftops as sites for light sculptures seen from the road but also the sky. Sides of houses might become surfaces for video projections and picture windows as stages for shadow puppet performances while musicians and sound poets might give live performances at the edge of properties.
Around 50 painters, sculptors, photographers, performance artists, film and video makers, poets, and musicians of varying age, cultural background and gender are involved. All artists, their addresses, and maps of hamlets where their works can be viewed are available here: www.drive-by-art.org
We will also be conducting real time interviews with some of the artists on Instagram and Facebook. Specifics will be posted to our website.
Special thanks to Guild Hall and Parrish Art Museum for their support.
For more information or to request a zoom interview with one of our artists, please email firstname.lastname@example.org
or reach out to Warren Neidich at +1-917-664-4526 or Jocelyn Anker at +1-917-291-4406
May 1, 2020 - Guild Hall
During this time of quarantine, we have witnessed an unprecedented amount of creative output online, ranging from internationally acclaimed artists performing on stage, to cozy living room concerts. As Guild Hall continues to release our own new and historic virtual programming, we want to make it easier for you to find arts and cultural resources from the artists and places we love in a single aggregate list.
Below you will find creative resources for artists, families, children and adults. Please note: This is a living document, growing daily. Check back often, and feel free to suggest additions by emailing email@example.com with the Subject: Monster List.
VIRTUAL ACCESS TO ARTS & CULTURE INSTITUTIONS
Berry Campbell | Ida Kohlmeyer: Cloistered
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May 1, 2020 - artnet Gallery Network
April 27, 2020 - Berry Campbell
Philip Pavia (1911-2005), the pioneering first-generation son of an Italian stone carver, "turned rocks into art." The Times of London called Pavia "arguably more of an original than some of his better-known contemporaries." He was rare among his peers for sculpting abstract and figurative art, and he took full advantage of a lengthy 74-year career to develop his reach. Although he started his career as a draftsman and watercolorist, Pavia ultimately made his mark with a body of work that spanned all-abstract bronzes, black-and-white abstractions in Carrara marble and, just prior to his death in 2005, at aged 94, a dozen monumental terracotta heads.Read More >>
April 24, 2020 - Berry campbell
In this video, Christine Berry speaks about Ida Kohlmeyer and Berry Campbell's current exhibition, Ida Kohlmeyer: Cloistered.Read More >>
April 20, 2020 - Andrew Goldstein for Artnet News
Here are eight of the most memorable works from the Dallas Art Fair's virtual edition.
Chelsea dealers Christine Berry and Martha Campbell did not spend quite so much time on the quiddities of the online format, instead relying on old-fashioned connoisseurship, curation, and an eye for sourcing work that looks better over time to put together an excellent display anchored by female artists from the 1950s, ’60s, and ’70s. Some, like Mary Abbott, Perle Fine, Judith Godwin, and Ninth Street Women star Grace Hartigan were undervalued during their lifetime. Others, like Charlotte Park, Sally Michel Avery, and Elaine de Kooning were overshadowed by their artist husbands. One, Betty Parsons, was overshadowed by herself—with her painting career long seen as secondary to her illustrious run as one of New York’s top dealers of Abstract Expressionist art.
This witty painting of a solitary red moth against a brushy blue background plays against the pieties of AbEx orthodoxy, being at once an abstract all-over composition that emphasizes the picture plane and a not-very-abstract-at-all (though Fauvist) portrait of a bug on a wall.
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