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News: William Perehudoff: Architect of Color | Exhibition Catalogue Now Available, April 18, 2019 - Berry Campbell

William Perehudoff: Architect of Color | Exhibition Catalogue Now Available

April 18, 2019 - Berry Campbell

We are preparing for our William Perehudoff exhibition, Architect of Color, opening on March 21, 2019. Please read our online catalogue with essay by Fraser Radford to learn more about the artist and his career.

William Perehudoff | Architect of Color
April 25, 2019

Opening Reception
April 25, 2019
6-8 PM

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News: Gallery Talk by Karen Wilkin for

Gallery Talk by Karen Wilkin for "William Perehudoff: Architect of Color"

April 17, 2019 - Berry Campbell

Gallery Talk by Karen Wilkin  
Wednesday, May 8, 2019
6:45 pm  
RSVP


Karen Wilkin is an independent curator and critic.  She was previously the curator of “American Vanguards,” on view at the Neuberger Museum, SUNY Purchase and a faculty member at the New York Studio School. She is an art historian, curator, and critic, educated at the High School of Music and Art, Barnard College, and Columbia University. After living and working in Italy and Canada for some years, Ms. Wilkin returned to her native Manhattan in 1985. She lives near the Empire State Building with her architect husband and two Maine Coon cats. A specialist in 20th century modernism, Ms. Wilkin has organized numerous exhibitions internationally and written monographs on David Smith, Helen Frankenthaler, Anthony Caro, Kenneth Noland, Stuart Davis, Giorgio Morandi, and George Braque, and is the co-author, with Clifford Ross, of The World of Edward Gorey. She contributes regularly to The New CriterionPartisan Review, and Hudson Review. Her recent projects include a study of Clement Greenberg’s personal collection for the Portland Art Museum, Portland, Oregon, and “David Smith: Two into Three Dimensions”, the first exhibition to examine Smith’s reliefs as a coherent body of work, in relation to his drawings, paintings, and free-standing sculptures, which will be seen at the New York Academy Museum at the end of 2001. 

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News: Mike Solomon Included in

Mike Solomon Included in "On the Grid" at VSOP Projects

April 15, 2019

VSOP Projects
Greenport, New York
April 13 - May 19, 2019

As a formal device, the grid defines and divides space, serving as a framework for which a given subject might be expressed. As an art historical element, the grid has been employed as a compositional guide in renaissance painting, an ideal in the Bauhaus, and a form to be obliterated by the abstract expressionists and action painters. In many ways, modern life has been influenced by grids, from city planning to microchips, and yet, for every practicality imposed on the utilitarian x and y axis, there is a possibility for chance, spontaneity, and art.

Artists participating in "On the Grid" include Sabra Moon Elliot, Darlene Charneco, Bastienne Schmidt, Christine Sciulli, Mike Solomon, Colin Goldberg, Drew Shiflett, Patience Pollock, Daniel Sullivan, Robert Otto Epstein, Ryan DaWalt, and Josh Cohen.

Please contact info@vsopprojects.com for more information. 

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News: Museum Acquisition: Mike Solomon, April 10, 2019 - Berry Campbell

Museum Acquisition: Mike Solomon

April 10, 2019 - Berry Campbell

Greenville County Museum of Art
Greenville, South Carolina

Mike Solomon
Radiant Acquiescence (For Mark Tobey), 2017
Watercolor on papers infused in resin
48 x 36 inches

View More Works by Mike Solomon

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News: Frank Wimberley Exhibiting in

Frank Wimberley Exhibiting in "Prime Time" at the Islip Art Museum

April 4, 2019 - Berry Campbell

Islip Art Museum
Islip, New York
April 23 - June 15, 2019  

Reception
May 11, 2019
1 - 4 pm  

More Information  
View More Works by Frank Wimberley

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News:  Paint, abstract art, focus of James Little curated exhibition at Art Students League, March 21, 2019 - NADINE MATTHEWS

Paint, abstract art, focus of James Little curated exhibition at Art Students League

March 21, 2019 - NADINE MATTHEWS

In an interview in BOMB magazine a few years ago, artist James Little declared, “I choose to be abstract because that’s where I found my voice, because it best reflects my self-determination and free will. That’s why I love abstraction, it forces us to see things in a different way. It forces us to come out of what we have been trained and conditioned to see. It forces us to use another part of our brain.”

Little’s love for abstract art is now literally on display at the Art Students League, where he is also an instructor. Titled “New York-Centric,” it is an exhibition curated by Little that will run through May 1. As described in promotional materials from the 144 year old institution, “New York-Centric” is, “An exhibition dedicated to color, color theory, design, expressionism. All of the work on display was produced in New York during the latter half of the 20th century or the beginning of the 21st century.”

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News: Joyce Weinstein: Country Fields | Exhibition Catalogue Now Available, March 21, 2019 - Berry Campbell

Joyce Weinstein: Country Fields | Exhibition Catalogue Now Available

March 21, 2019 - Berry Campbell

We are preparing for our Joyce Weinstein exhibitionopening on March 21, 2019. Please read our online catalogue to learn more about the artist and her career.

Joyce Weinstein | Country Fields
March 21, 2019

Opening Reception
March 21, 2019
6-8 PM

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News: Gallery Talk by Martica Sawin for

Gallery Talk by Martica Sawin for "Stephen Pace: Reflections"

March 20, 2019 - Berry Campbell

Gallery Talk with Martica Sawin
Saturday, April 6, 2019
2 PM

View Exhibition

Martica Sawin


MARTICA SAWIN is an art historian and critic who has spent a half century covering contemporary art in print and in the classroom. She is author of the seminal publication, Surrealism in Exile and the Beginning of the New York School, and has written more than 100 essays on contemporary artists for exhibition catalogues and art magazines as well as authoring and co-authoring a number of monographs. Sawin served as Art History Department Chair at Parsons School of Design (1967-1995), is founder of Parsons in Paris, was a contributing editor in ARTS magazine, and was the New York Correspondent for Art International in the 1950s and 1960s. Sawin authored Stephen Pace, the critical and biographical text that summarizes the artist's life and art from Pace's early forceful abstract expressionist canvases to the luminous representational paintings of recent decades.

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