"There are only two paths: decadence and spirituality. I have chosen decadence."
Edward Avedisian was a prominent figure in the 1960s New York art scene, blending the vibrant colors of Pop Art with the precise, analytical qualities of Color Field painting. Alongside contemporaries like Jules Olitski, Kenneth Noland, and Larry Poons, Avedisian sought to emphasize optical experiences over the tactile nature of Abstract Expressionism. His inclusion in major exhibitions like Op Art: The Responsive Eye at MoMA in 1965 and 'Expo 67' in Montreal highlighted his influence. His work — which was often featured in prominent art magazines — chronicles an evolution from abstract forms to more structured, hard-edge compositions.
In the mid-1970s, Avedisian left New York City for Hudson, New York, where his artistic focus shifted to figurative and expressionist styles. He painted his surroundings with vibrant colors reminiscent of the Fauves and created abstract Styrofoam sculptures. This transition marked a departure from his earlier abstract methods, drawing comparisons to artists like Marsden Hartley. Despite moving away from the bustling Manhattan art scene, Avedisian continued to garner attention for his colorful, dynamic works that captured both abstract and representational themes.
Avedisian's contributions to the art world are preserved in numerous prestigious collections, including the Museum of Modern Art, the Metropolitan Museum of Art, and the Solomon R. Guggenheim Museum. The last exhibition during his lifetime was held at the Algus Gallery in 2003.
